Trackdown's name is synonymous with music and has been for decades however Trackdown is more than music. Trackdown boasts Australia's only Scoring Stage, ADR Studios, Foley Studio, Television Mix Room, Film Mixing Theatrette and 6 Pro-tools Suites with a full-time team of Engineers, IT and Technical Support and Administration.
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Highway 125 is a place where you can share and discover all kinds of great music, art, photography and video with a difference. Experience the new as well as hand-picked classics and buried treasures. It's a place to browse, sample and purchase from our catalogue of music, art and creative media, find tickets to live shows, and more.
Music and visual creativity is the heart of Highway 125.
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Trackdown would like to introduce the two newest members of the team,
resident Music Supervisor Gary Seeger
and Lead Engineer Evan McHugh.
Gary Seeger has been involved in the music & film business for 25 years. Seeger's experience and knowledge stems from numerous music industry jobs; from music licensing, soundtrack label management, to artist management and publishing. seegerMUSIC gave birth 5 years ago as a music supervision service for film/TV producers. He's worked with oodles of artists, from first time bands through to Powderfinger and the like. His passion for music and film has taken him on an eclectic and interesting journey; from record labels to music publishing companies. Seeger has negotiated and licensed songs for numerous film and television productions including: John Malkovich’s Disgrace, the award winning ABC Rake and Jack Irish series to The Sapphires, Felony and Wolf Creek 2 to name a few. He is currently working a season 3 of Please Like Me, A Place To Call Home and a number of film projects.
Evan McHugh has worked out of renowned Sydney studios such as Festival, Electric Avenue Studios, BJB and Turning Studios building himself a leading reputation over his 15-year long career as freelance Sound Engineer. He has worked on albums by Midnight Oil, Grinspoon, The Golden Age, Jet and The Delta Riggs, while keeping his foot in the live engineering world mixing for Dead Letter Circus, The Preatures, Rowland S. Howard, Wolf and Cub, locally and abroad. Since then Evan has moved into music production for film, television and theatre which has included work on Baz Luhrmann’s "The Great Gatsby" and the orchestral music for Strictly Ballroom: The Musical. His first project at Trackdown was on a Marco Beltrami film score working with legendary Abbey Rd and Scoring Engineer, John Kurlander.All News